Everyone knows that many of their Cantonese songs are borrowed from the island country, and people from Xiangjiang wrote the lyrics and it became another song.
Not only Xiangjiang, but also Baodao, Hong Kong and Taiwan musicians have been borrowing island country music in recent decades.
There are many famous and familiar songs, and the original tunes are all made by the island country.
There is no shortage of people who can write lyrics in the Hong Kong music scene, but there is a lack of composers.
This is also one of the reasons why Jay Chou was able to sweep everything after the "840".
Li Changsheng plans to get Jay Chou's song more than ten years in advance, I don't know if it will be accepted!
In the future, he plans to put a couple of Jay Chou's songs in his Mandarin album to test the waters.
He wants to try to change the ethos of the Xiangjiang music scene in that time and space.
It turns out that in that time and space, Daoying’s modern pop songs were introduced to Xiangjiang in large quantities, and after re-adapting and writing lyrics, they occupied the mainstream music scene, highlighting the lack of local composer talents in Xiangjiang.
Although the selection of music and lyrics also require brilliant vision and profound attainments, and the arrangement is often close to re-creation, but the lack of original strength is still undeniable.
On the other hand, if a latecomer in any industry wants to catch up and catch up, it is necessary to copy and imitate the leader.
The era has created the Hong Kong Philharmonic, and its development process has been ups and downs and wonderful. Its unique cultural value and its small defects have always coexisted.
The flood of love songs caused great dissatisfaction among veteran lyricist Lu Guozhan, so he angrily launched the Non-Love Songs Movement in 1983, hoping to change the atmosphere and promote diversified creations.
He was writing lyrics for a record company at the time, and every three love songs must be accompanied by a non-love song, requiring the producer to receive all the goods. His painstaking efforts are admirable. The themes created are diverse, such as inspirational songs such as "Don Quixote" and "Dream Rickshaw", anti-war songs such as "Praying Mantis and Me", and "Proud" by the Master, but the actual effect is also like Don Quixote. The mantis is like a cart.
Lu Guozhan once wrote countless famous songs such as "Little Li Fei Dao", "Lu Xiaofeng", "Whenever It Changes", "The Great Wall Will Never Fall", but her new works are gradually becoming less popular. It is a normal phenomenon in the commercial market that love songs occupy the mainstream. Hero Lu alone cannot resist the trend of the times after all.
1984 was already the end of the non-love song movement, which lasted less than a year and died without any illness. Lu Guozhan herself was also depressed, and her production of lyrics gradually decreased, and she turned to focus on film and television production and artist management. . . . .
However, the non-love song movement did not achieve nothing, after all, it sowed seeds in the music scene. At this time, the trend of band clipping is already on the rise. A few years later, Beyond, Daming Yipai, Liu Zhuohui, Zhou Yaohui and other poets joined forces to write a different movement for the Hong Kong music scene, which may be far away from Lu Guozhan's appeal. Corresponding and.
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