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Chapter 378: Cheng Long's Kung Fu Comedy Is Officially Formed!

When Cheng Long's Golden Harvest Film Company became a company under Li Changsheng,

Li Changsheng didn't interfere with Cheng Long's filming except to keep Cheng Long from wishing for nothing.

Just like he won't discourage Zhou Xingchi, he won't suppress Cheng Long either.

After all, Cheng Long is the backbone of the company, Cheng Long makes money, and he also makes money.

Even Cheng Long didn't earn as much as him.

What he has to do is to delegate power and let Cheng Long give full play to his "Four One Two" creativity.

Fortunately, Cheng Long lost his special energy, but did not lose his exuberant spirit and courage to change.

He does not want to be complacent like the old-school Liu Jialiang, but is determined to seek innovation and change.

Beginning with "Project A" this year, Cheng Long has added his signature death-defying moves in each of his films.

The thrilling and real scenes brought the most direct and strong stimulation to the audience, and marked his works with a distinctive personal label.

Make it completely different from the movies dominated by Coax Campbell.

The scene of the falling clock tower was prepared for six or seven days, and the entire special effects team tried and tested in various ways.

Everyone from coaxing Jin Bao to Zou Wenhuai persuaded Cheng Long to give up this idea, but he finally overcame his fear with difficulty,

Falling through two layers of awnings from a height of 18 meters, landing on the head and shoulders, one time is not enough to do it again, causing serious cervical spine injuries in pursuit of the best effect.

It is common for kung fu actors to be injured, and it is not surprising that they take risks occasionally,

However, every film is fighting with life, and no other superstar can do it.

Cheng Long is unique.

"Project A" is one of Cheng Long's masterpieces, which brought him nominations for Best Actor in the Golden Statue Awards and Golden Horse Awards for the first time,

And the first Academy Award for Best Action Direction in the family class.

The film took two years to complete, and Xiangjiang ranked third in the box office of the year, and it was the box office champion in Japan, South Korea and Southeast Asia.

Since then, Cheng Long has been crazily sought after by female movie fans on the island, and some girls have formed the "Cheng Long Does Not Marry Group",

Some of them developed delusions, and some girls slapped Chenglong,

There have even been several incidents of movie fans committing suicide for him, but it's not that he made excuses for his hidden marriage.

All of Hong Kong's martial arts are turning to fashion action scenes, and Liu Jialiang, who is the most traditional, has finally taken action. This year he filmed "The Master", learning from Cheng Long and Jin Bao.

As the first director of Xiangjiang who was born as an action director, the films directed by Liu Jialiang alone are often rough in plot and lack of logic.

Most of the characters have low emotional intelligence, and they start fighting when they disagree with each other. They can't make martial arts serve literary dramas, and they haven't been able to change this shortcoming throughout their lives......

This "The Head" is like this, the story basically applies the script structure of the previous "Elders",

However, the plot is scattered and the jokes are embarrassing.

He even lost the characteristics of Liu's class in the play, all relying on the final battle in the gymnasium to barely regain the score.

Most of Liu Jialiang himself realized this failure, and the next film "Wu Lang Bagua Stick" returned from fashion to ancient costume.

Although the plot is still blunt, and the scene of the confrontation between the two armies is more like a Beijing opera stage, the action design is really wonderful, and it can be called a model of southern martial arts movies.

Liujia Huishi's stick lacks the momentum of Li Lianjie and Zhen's bullets, and it doesn't have the wit and humor of Cheng Long coaxing Jinbao.

But the victory lies in the unadorned toughness and simplicity, which just embodies the masculine and tough beauty of Shaolin Kungfu.

Hui Yinghong's men's clothing looks heroic and handsome, even more handsome than Lin Qingxia.

Even so, Liu Jialiang still fell out of the top ten grossing films of the year this year. .

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