Now let's talk about Yang Dechang's first film planned by Zhang Aijia.
This movie is also a gathering of heroes, and many movie characters in it have a certain influence on later Hong Kong and Taiwan movies.
Everyone found that, except for Wang Jiawei, the king of sunglasses, the literary and artistic colors in Hong Kong films are obviously not as strong as those in Taiwan films.
There are very few Hong Kong directors who can catch up with "June 47" in Baodao's Xiaoxian and Dechang, and later Li An.
The name of the film production team represents that turbulent era.
The female composer Lin Minyi has just returned to Hong Kong from studying in Germany, and the melody of her music for this film is relatively soft.
Yang Dechang invited Du Kefeng to take charge of the photography by name. This is Du Kefeng's first feature film, but he and Yang Dechang quarreled during the filming.
"The best storyteller in Taiwan" Miu Nianzhen and Yang Dechang co-created the script, and he, Hou Xiaoxian and others all made cameo appearances in the film.
Mi Nianzhen later recalled that the cooperation with Yang Dechang was "truly a nightmare, a sweet torture".
In the 1980s, when the humanistic atmosphere was strong, while leading the trend of the new films of Baodao, they also forged an idealistic friendship with each other.
There is also the name of the beautiful girl Li Lie in the cast list. She fell in love with the poor boy Mao Xuewei during the filming of this film, and soon married herself desperately.
In the film, Mao Xuewei and Zhang Aijia were deeply involved in the marital quagmire. In reality, he divorced Li Lie after two years of marriage.
Li Lie's later second husband, Luo Dayou, was singing "We have a warm past, we have a confused present and an unknown future",
Left his "little sister" Zhang Aijia who was one year older than him.
It turned out that in that time and space, the married woman Zhang Aijia fell in love with Yang Dechang again. She was always irresistible to talented men, but this time she finally controlled herself.
A year later, Cai Daqin became the heroine of Yang Dechang's second film "Childhood Sweetheart", and "Xiao Li" Li Zongsheng began to create the album "Busy and Blind" for Zhang Aijia.
Zhang Aijia's lovers are all outstanding, and many years later she said in the script of the movie: "There are always a few relationships in a person's life that cannot be avoided.
Zhang Aijia withstood the pressure and saved Yang Dechang's 167 minutes of hard work from being cut, but the two investors, China Film and New Art City, were not satisfied.
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New Arts City has never produced Edward Yang's film again.
It's not that New Art City can't make literary films, but the box office will always be the first.
In the same year, another small-budget production "Hit the Wrong Car" they released in Taiwan was a classic with a win-win situation in the market and word of mouth.
The film is also planned by Zhang Aijia, the difference is that in addition to the misconceptions, the screenwriter also joined Huang Baiming.
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