Li Changsheng looked at Molin, the future King of the Daughter Kingdom in front of him, and many things about Molin's original time and space emerged in his mind.
Although Zhu Lin became a monk and became an actress halfway, she is not a completely untrained actress.
She is like those old Xiangjiang drama players who have taken the TVB training class, and she has also taken the actor training class in our mainland.
The Nortel actor training class she attended was a gathering of talents at that time.
It is conceivable that she and Zhang Yimou were classmates in the same grade at that time.
But Zhu Lin might be too serious and didn't accept those unspoken rules, so she didn't act in any big-budget movies in the entertainment circle except for the classic role of the king of her daughter, who is very suitable for her, so she is not like Liu Xiaoqing They have so many awards and benefits like that.
But it is enough for a person to have one classic role in his life.
After all, most actors never have a classic role in their lifetime.
It turned out that in that life, because she had never received professional training, Zhu Lin eagerly hoped that she could have a richer theoretical basis as a guide when she entered this new industry, so she signed up for the amateur acting training class organized by Beijing Film Studio .
At that time, the college entrance examination had just resumed for two years, and the year Zhu Lin entered school just happened to catch up with Beijing Film Academy not recruiting undergraduates, so this five-month crash course became Zhu Lin's best choice.
In this training class, Julin Hong Kong drama star Lu Bu Zhang Zhaobei, Dang Ru Li Chengchuan, Bao Dazhi, and director Zhao Baogang became classmates.
In order to make good use of the learning opportunities in each class, Zhu Lin often arrives at school early, climbs in through the window before the door is opened, and then prepares the homework assigned by the teacher in advance.
After 5 months of intense and fulfilling study, Zhu Lin's beauty and temperament were caught by Tian Zhuang, a senior in the 78-level director class, during the performance of her graduation work.
So their graduation work did not invite actor Shen Danping of the same grade to star, but invited Zhu Lin.
Despite having professional theoretical knowledge as a guide, Zhu Lin's performance is still young.
In the era when formally filming film was all about saving money, in order to complete a shot in one pass,
Tian Zhuangzhuang and Zhang Yimou, the photographer at the time, told Zhu Lin about the scene for an hour when she couldn't cry in the crying scene to help her brew her emotions.
The last graduation work called "Small Yard" was screened at the Tokyo International Film Festival.
After graduating from Beijing Film Academy, Zhu Lin was assigned to be an actress in Emei Film Studio.
At that time, the 2-year-old Pan Hong, who was 2 years old, had already become one of the first-line movie stars in China at that time by virtue of excellent works such as "A Distressed Smile" and "Du Shiniang".
Working with such a big star, Zhu Lin felt her own insignificance. Taking away the down-to-earth style of doing what she does and loving what she does, Molin started her acting career of conscientiously drawing dramas.
In 1982, Zhu Lin filmed the movie "Legend of Pear Garden". The film tells the story of a theatrical troupe bravely fighting against bullies when they performed in other places in the late Qing Dynasty, and finally escaped safely.
In the film, Zhu Lin plays Hua Dan, Hua Xiang Rongjie, the head of the troupe.
In 1983, Zhu Lin played Qin Xiaowan in the TV series "Curved Stone Path" directed by Pan Hong (Li Zhaozhao)'s husband Mi Jiashan.
A year later, Jolene played the role of an educated youth in the movie "Shorebrak", and the other heroine of the film's dual heroines was played by Zhang Weixin, a famous actress at the time.
In the same year, Rong Lin portrayed the first generation of female shipbuilding engineers in China in the movie "Meeting After Twenty Years".
So far, a series of images of intellectual women in the new era portrayed by Molin on the big and small screens have been deeply rooted in the hearts of the people. .
