Li Changsheng, the four heavenly kings of the 1980s, will not affect the four heavenly kings of the post-90s generation.
On the contrary, Li Changsheng will support these four heavenly kings and let them stand out as soon as possible.
It turns out that the Four Heavenly Kings of the time and space in the 1990s came from TVB, and they were a combination of idol singers created by TVB.
Now to create the Four Heavenly Kings of the 1980s and the Four Heavenly Kings of the 90s, of course it is ATV controlled by Li Changsheng.
They all come from The Voice of Asia.
However, in the original time and space, Zhang Guorong and Tan Yonglin were generally referred to as superstars, different from the four heavenly kings of the 1990s!
Before that, there was an argument that if Tan Yonglin 03 and Zhang Guorong didn't bid farewell to the music scene so quickly, would it affect the birth of the four heavenly kings in the 90s?
Li Changsheng thinks the impact will not be great.
It turned out that in that time and space, in 1986, Zhang Guorong won the Golden Melody Award from Tan Yonglin, who was in full swing.
Announced the arrival of the era of "Tan Zhang struggles for hegemony" in the Xiangjiang music scene.
But it only lasted two years.
So "Tan Zhang struggles for hegemony" is just a period, not an era like the "Four Heavenly Kings" later.
Marked by Tan Yonglin's announcement to withdraw from the music awards ceremony, the battle between the two superstars came to an end.
Zhang Guorong's mood was waning, and two years later she also announced her withdrawal from the music scene.
The Xiangjiang music scene has entered a vacuum period without superstars.
Zhang Xueyou, who has been cultivating the music scene for several years, and Liu Dehua, who has taken the lead in the film industry, join hands.
Li Ming and Guo Fucheng rose one after another within two years.
With super popularity and record sales performance, he completed a curve overtaking that surprised countless people.
The Four Heavenly Kings officially formed an army.
Well, if let's make an interesting hypothesis.
If back then, the fans of the two superstars were not in the same situation, the media's speeches were kind and positive.
Tan Yonglin decided not to choose, and announced at the 1987 Top Ten Chinese Golden Melody Awards Ceremony, "I will no longer participate in music programs with a competitive nature, and I will no longer receive competitive awards."
Then, the short-lived "Tan Zhang struggles for hegemony" may evolve into an era of "dragons fight tigers".
Further, it can be speculated that the two of them will get into a fight at several major awards ceremonies.
Including TVB's Most Popular Male Singer and Golden Melody Award, Top Ten Chinese Golden Songs Supreme Golden Melody, Best Male Singer Gold Award and Supreme Song Award
It will be a situation where the two alternately win prizes. J
In this way, which singers will be directly affected?
Of course they are the Four Heavenly Kings.
To put it simply, as far as the Hong Kong music scene is concerned, in the 1990s, Liu Dehua and Zhang Xueyou first competed for the top, then Li Ming joined the battle group, and Guo Fucheng, who returned to Hong Kong, was the last link in the king camp.
In other words, other singers other than the four are not qualified to participate in the competition at all. Lu Fang's light shines for a short time and then disappears. It is a big tree, but the market performance has been poor, the same is the case with Huang Kaiqin and others in the 533 issue.
Therefore, the music awards are actually for those who can.
Speaking of this, many people may complain again. For example, the common view is that idol singers have an advantage in appearance, gaining resources and public attention, while powerful singers have a good voice, but they can only be lonely. Queen.
This is of course true, but appearance itself is a part of strength, it is one of the endowment and aptitude just like noise or creative talent, why is it the source of injustice?
A more important issue is that popular singers are popular because of a combination of factors, not a single reason, which covers appearance, temperament, singing skills, noise recognition, talent, emotion and other aspects of performance. .
