Chapter 573 There is no next time!
"Yup!"
"."
Li Jinglin suddenly smiled and shook his head.
"Let's take a look. I told you to read more, but you don't want to read more. Is there something wrong with your understanding of the characters?"
I heard this.
Tian Meng was stunned for a moment.
There were bursts of dissatisfaction.
Tian Meng has already seen the plot content and character settings of the dance drama.
In the creation of the dance drama "Zhang Qian", the description of his Hun wife was based on the speculation and theory of a "Hun princess" in the historians - after all, there are too few records about her.
These words were a complete killer as soon as they came out.
"Your understanding of the Hun's wife is obviously based on the storyline described in the superficial copy document sent to you, but you have not learned more about the content and speculated on the character in a more three-dimensional way."
But soon, Li Jinglin's next words directly defeated Tian Meng's defense.
However, I am still a little dissatisfied.
"I have been married to Zhang Qian for so many years, but my husband still embarked on a narrow escape trip to the Western Regions for his mission. But God had a miracle. Many years later, under the communication and transportation conditions of ancient times, we met miraculously. ”
"As an actor, how do you express this?"
Seven points wild and strong, but also three points graceful and gentle.
"A Hun's wife must be wild, but does she have to be rigidly labeled "strong" to express it in a strong and colorful way? Obviously not, because she can also be a little woman."
Instead, he first told a folk legend.
Li Jinglin shook his head.
"Did you know that there is a legend in Guanshan, Zhangjiachuan, Gansu Province? When Zhang Qian took the Hun lady to the Central Plains, he was afraid that she might be beheaded when she met Emperor Wu of the Han Dynasty, so he left the Hun lady here."
As for the interpretation of the identity of the Hun Princess, Tian Meng thinks that it is perfectly expressed.
"Difficulties! And the miracles born out of difficulties! Difficulties should also bring out the greatness of achievements!"
"Because the lady misses Zhang Qian so much and spends the whole day gazing in the direction of Chang'an from the top of Guan Mountain, the people call her Princess Changbei. Zhangjiachuan, named after Zhang Qian, is also called Changbei River."
This is the interpretation method that Tian Meng used to express the image of nomadic female characters in the past.
"How can the audience get these points?"
He didn't directly point out the problem.
A series of questions immediately stunned Tian Meng.
"Yes, you may be thinking, since you said it, she can also be a little woman, but why can't she be this strong image? What I want to tell you about this issue is that we should also look at it from the perspective of the audience. analyze."
Li Jinglin's words stunned Tian Meng.
"The ecstasy of regaining something, but facing the reality of having to separate again. Do you really think that the Huns' wives will be like modern people, believing that miracles will happen again? Shouldn't you feel that this time is likely to be a real farewell? "
Tian Meng starts from the character and cannot see the overall situation.
When Li Jinglin said this, Tian Meng suddenly realized.
When the audience watches the dance drama "Zhang Qian", they are not watching how strong and wild your Hun wife is, and this is not a love story.
Instead, we need to use some emotional expressions of the Huns’ wives to portray the difficulty of Zhang Qian’s journey to the west!
Only in this way can there be a sense of miracle of encounter, and Zhang Qian's great achievements of digging the road through the Western Regions can be further highlighted! !
"Even if you don't show this part and just describe the happy life of the Hun wife who followed Zhang Qian to the Han Empire, are you sure that she must show the same wildness as she did on the original grassland? The environment really doesn't change people? "
"Although it is only a short year, it may be difficult to fully Chineseize, but correspondingly, there may be a lot of enthusiasm that belongs to the grassland habits, but the wildness should not be expressed in this section."
Li Jinglin couldn't help but shook his head.
The original dance design idea for this section was to gradually integrate the Xiongnu dance into the wildness of the Han nationality's dance style, and to express new elegance.
This also means the process of "sinicization".
"Such a small detail still needs polishing, and there is no corresponding cultural knowledge to supplement it."
Li Jinglin curled his lips.
chuckled.
"You have to know that for the entire dance drama, there are quite a few different styles of dance behind it."
"Zhang Qian traveled through the Western Regions, reached the Great Yuezhi, and went deep into the societies of the countries in the Western Regions to conduct inspections. The cultural exchanges between the East and the West began from this moment."
"Central Asian dance, South Asian dance, maybe you are very good at dancing, good at many dance types, and have a deep understanding of dance. But you are sure you can master the best without looking at some of the content studied in the papers and documents. Degree?"
Faced with Li Jinglin's inquiry.
Tian Meng bit her lip, lowered her head and looked at her toes. Some of the other girls around did not dare to look at Li Jinglin.
Perhaps, what Li Jinglin said may not necessarily be the final expression plan, but if you think about it carefully, it is indeed not "formalism", but a necessary accumulation for further improvement.
It can only be said that rehearsing dance dramas has developed a rehearsal habit.
The content is expressed according to the choreographer's intention, and you just need to dance well.
Although sometimes it is necessary to take the initiative to understand some cultural connotations, it is not very in-depth.
Li Jinglin’s behavior of “calling everyone to read the literature and papers together and write about their own understanding and feelings” was indeed the first time I had seen it, and I felt it seemed a bit formalistic.
But after actually putting it into practice, Tian Meng was shocked to realize.
It turns out that my own path is narrow!
Sometimes, you really need to look at the work from a broader perspective, rather than just limiting yourself to the role you play, or a simple dance.
Especially this time, Li Jinglin picked out the problem in Tian Meng's best field.
This is more convincing.
"I'm sorry!"
Tian Meng's face turned red and she took a deep breath.
A very bachelorful apology.
"Professor Li, I'm sorry! I'm so narrow-minded!"
Li Jinglin nodded.
"It's not that I'm making a fuss, but you don't realize the importance of this dance drama!"
Several little girls raised their heads.
In fact, this is also normal.
Although he is a mature dancer, in fact, the age of the dancers is on the younger side.
These little girls are actually not that old.
It is inevitable to be naive sometimes.
It is quite normal for a little girl like Tian Meng, who has a lot of energy in her family and is very strong, to be a little spoiled.
Therefore, Li Jinglin is willing to provide some guidance.
Of course.
This is Tian Meng standing up and apologizing.
Otherwise, Li Jinglin will not continue to spoil others. If he has an opinion, I can explain it. But if I explain everything, you don’t understand, or you understand it and are still unwilling to admit it?
Then get out of here if you should!
can only say.
Tian Meng had a hard time walking on the edge of an exploding cliff today.
"The Han Dynasty spent seventy years cultivating its internal strength, smoothing over the humiliation brought by the Xiongnu, and walking on a glorious Silk Road. This laid the foundation for the foreigners' understanding of the Chinese nation in later generations. Only by being called "Han people" can one become a strong man."
Li Jinglin glanced at Tian Meng.
Sighed.
This time, I finally felt the tiredness of managers when faced with grassroots cognition.
For strategic level games, for the top confrontation in the field of culture and art.
It is indeed difficult for grassroots art workers to get access sometimes.
Therefore, when faced with some requirements, I always feel that this seems to be quite "formalistic".
It's no wonder, after all, these little girls certainly didn't dare to imagine that the meaning of this dance drama would be so profound.
"History is a cycle. There are differences, but there are also similarities. Two thousand years later, today's China is also paving the way and preparing for a new "Silk Road" with seventy years of internal strength. With more than two thousand years of experience and lessons, we are always ready to smooth away the shame of the past, go out, build the world, and return to our historical roots.”
"Such a major change includes content in the fields of culture and art."
"Even if we have the right to dominate and define, it won't work if there are no corresponding and matching literary and artistic works!"
"I don't ask you to understand the more advanced level and sharper confrontation in the field of literature and art. However, when you participate in the performance of this important work, I ask you to polish the work carefully, and you must be serious and don't hold back!"
"."
Tian Meng's face turned red and she mustered up the courage to speak loudly.
"I really know! Professor Li, I'm so sorry!"
"Well, forget it this time."
Li Jinglin smiled.
But this smile made Tian Meng feel chills running down his back.
"no next time!"
(End of this chapter)
