Chapter 397 "Piano Music of the Night"
Precisely because improvisation and creation are different.
Therefore, when Li Jinglin said that he wanted to "compose" rather than "improvise", everyone looked very interested.
Improvisation cannot be replicated a second time. Basically, after improvising, I forget about it.
Composition must have an overall rigorous structure and must be recorded.
"Really or not? Then Teacher He is not a musician, let Teacher He do it!"
Zeng Yi is frantically increasing the effects of the program.
Give Li Jinglin some benchmark notes and use the benchmark notes to compose music.
If you are a music student, you will be able to better understand which notes are easy to make and which intervals are difficult to make.
But in fact, when choosing music, sometimes you still have the obsessive-compulsive disorder of a "musician".
It's better to let someone who doesn't know anything about music make the choice.
Not only does it make Teacher He feel more involved, but it can also be random.
"Me? Okay!"
Teacher He was stunned for a moment, but then he rubbed his hands excitedly.
He looked at the black and white keyboard in front of him.
piano.
Put it in the eyes of someone who doesn’t know much about music.
That is a piece of black and white.
From Teacher He's perspective, if you want to adjust the difficulty, you must arrange both black and white keys!
And there can be no rules.
then.
Teacher He pressed three notes that sounded completely out of tune.
A white key do.
The two black keys are mi flat and xi flat.
"Ok?"
Although Teacher He has tried his best not to follow any rules in selecting sounds.
But Li Jinglin still instinctively lowered these three sounds to form them together.
"1, down 3, down 7?"
Li Jinglin nodded.
"Then I start?"
"Please begin your performance."
Teacher He is really curious.
How does a composer, based on this seemingly completely unrelated sound, become regular and form a piece of music?
But obviously, Teacher He miscalculated.
"First, add a 5, that is, 1, flat 3, 5, and flat 7 to the note chosen by Teacher He to form a minor 7 chord."
"In composition, or in classical harmony music, chords are actually based on tonality, so I directly determined the tonality and chose C minor."
Li Jinglin took out a blank staff from his bag.
This immediately made everyone a little stunned.
Good guy, what kind of academic master are you? Do you carry a notebook with you?
"In this way, a basic framework can gradually take shape."
Li Jinglin marked the clef and immediately recorded three flats after the staff clef.
Marked in C minor.
While marking, he said, "C minor is the relative minor of E flat major, and the reason why I chose C minor is because the color of the minor 7 chord is soft and dim, and the dim chord, if used well, can be used in a short time. The bright treatment makes it more immersive."
"Then, just lower the overall background tone, preferably a minor key."
Speaking of it.
Li Jinglin said to everyone with serious faces.
"What I said above makes sense, but it's all nonsense."
"Actually, I don't want to use this little minor seventh chord because it's too troublesome."
"Anyway, it's just these three tones that appear. I'll choose the simplest 456."
"?"
Everyone was immediately hit by the sudden burning, and their waists were broken.
I never expected that Li Jinglin talked about a lot of things that seemed reasonable and well-founded, and finally said, "I just said it nonsense."
"what?!"
Teacher He was already confused.
But Li Jinglin laughed happily.
"Hahahaha!"
The minor seventh chord is actually a minor third superimposed on the chord line.
But in fact, we don’t use seventh chords, only three chords to progress the music.
These are also the three tones chosen by Teacher He.
"From the perspective of shifting the perspective from C minor to E-flat major, the composing method of 456 progression is very simple. In fact, the 456 progression is very popular in neon animation soundtracks and is a kingly progression."
"In the Naruto that everyone is familiar with, the progression of "Blue Bird" is like this 456."
Li Jinglin once again pursued "simplification"ism.
As long as it can be simplified, simplify it directly.
This is called "I will never sit down if I can lie down."
After all, this was a clip that was made on a whim during the recording of the program. Why did it have to be so complicated? Also a waste of time.
then.
Li Jinglin started writing the simplest "left-hand accompaniment" directly in the bass clef area.
It's just a broken chord with 456 progressions.
What is a broken chord?
A normal chord is composed of several notes, played simultaneously.
To decompose a chord is to separate the notes of the chord and play them one after another starting from the root note.
As for the melody part?
"Well, 1, flat 3, flat 7. This flat 7 is too ugly, and in the broken chords of the 456 progression, the flat Add2 chord has been mentioned anyway, so just ignore it."
"Within the frame of an octave."
Li Jinglin played the scales casually.
It's just a very simple musical scale within an octave.
I found a few melodies that were comfortable to the ears, selected them, recorded them, interspersed them with the broken chords in my left hand, and repeated them.
A minimalist piece takes shape.
"Hey?! Something's up!"
Teacher He was greatly surprised, with a confused expression on his face.
But everyone else was speechless. It’s hard not to be speechless.
From analysis to start to finish.
The level of Li Jinglin's thinking cannot be said to be unreasonable, it can only be said to be "unrelated".
From these three notes we think of the minor seventh chord.
From the use of minor seventh chords, I thought of C minor again.
But suddenly the style flashed.
It reminds me of the minor seventh chord in the key of C minor, which he has no use for.
It cannot be said that it is completely useless, it can only be said that it is half used.
The melody is also associated with the chord progression related to the major key.
From a musician's perspective, this seems a bit strange.
It may be said that they have nothing to do with each other, not necessarily. There may be some relationship with them, but only a little bit.
Probably like.
An author had a pain today and it was uncomfortable to sit down, so he didn't want to type, so he chose to sit down and start playing the game.
Why not code? Because it feels uncomfortable to sit, why does it feel uncomfortable to sit? Because Pigu hurts, then why sit down? Because you want to play games, why play games? Because there is no need to code, why not code? Because Pigu hurts
The logic is self-consistent and forms a closed loop.
Violating but not violating.
The causal relationship between them really makes sense.
This is probably the feeling of déjà vu.
Second only to the answer "I think pasta should be mixed with No. 42 concrete."
Even Han Hong's expression became a little strange.
Good guy.
Has Li Jinglin always been so strange? !
It’s hard to imagine what kind of mental state one must have to have such an idea, and it’s hard to imagine that those masterpieces were born in such a mental state.
Everyone listened carefully.
I hope I can get a glimpse of what Huang Tian Hongyun is like in Brother Lin's completely abnormal mental world.
But as Li Jinglin spoke faster and faster.
In the end I didn’t even bother to say it.
The movements on my fingers become smoother and smoother.
Just jot down something on the score and play it smoothly.
of course.
This scene is quite normal for these musicians.
Although, Li Jinglin's idea may not be normal.
But once you have a feeling and determine the structure, musical form, mode, and harmony direction, it is reasonable for the melody to come out quickly.
But in the eyes of Teacher He.
That would be extremely explosive.
Teacher He's eyes widened and his mouth opened, and he was extremely surprised.
From the perspective of Teacher He.
Li Jinglin said a lot of things that were incomprehensible but seemed to be reasonable.
Then after going around a corner, something suddenly clicked.
The tune suddenly became more and more complex as it went along, and it suddenly became quite pleasant.
For ordinary people, this is indeed a very explosive display.
It's like a person saying.
"Look, the car has four wheels, right?"
"Correct."
"Is there a steering wheel in the car to control the direction?"
"Correct."
"Is there an engine in the car?"
"Correct."
"Okay, let's see if that's the case."
Immediately, he took out a crazy and cool Bugatti Fireball, which accelerated from to mph in seconds.
He said it to you with a matter-of-fact expression.
"Four wheels, a steering wheel, and an engine."
This wave shows.
It can really be said that "both those who understand music and those who do not understand music are silent."
If you don’t understand music, you feel like you’re being too pushy, and you don’t know how powerful it is.
But those who understand music feel that "you are trying to tease me by riding on a horse?" is outrageous, but at the same time, there are indeed excellent works in front of them, so they have to remain silent.
In other words, Li Jinglin is professional and has excellent works.
As long as Li Jinglin is a newcomer without any reputation, he may have made these people doubt their life.
Good guy, can you produce a song of this caliber? !
It was Galen who spoke softly, silently and breaking his defenses.
".What are you going to name this piece?"
"Um"
Hearing Zeng Yi's question, Li Jinglin raised his eyebrows.
When composing the music, Li Jinglin actually didn’t think too much about it. After all, it wasn’t a very serious soundtrack, or he needed to create some content with strong cultural attributes.
However, musicians' works sometimes still reveal their innermost feelings inadvertently.
Whether it is the choice of harmony direction or the progression of the melody, what Li Jinglin wants to express is actually quite simple.
It is simply the happiness of loving and being loved in memories.
It's as if a person is quietly reading through the memories of the past at night, some are dim, some are bright, the past loves, hates, sorrows and joys are recalled at night, and happiness and loss are constantly intertwined.
Whether you feel happy or disappointed may vary from person to person.
After being touched for a short time, it was as quiet as water.
This is a piano piece for the night.
After thinking for a moment, Li Jinglin nodded.
He spoke slowly and with deep feeling.
"Why don't we just call it "Piano Music of the Night"?"
Immediately, before anyone else could react, he nodded again.
"Yes, that's what it's called!"
(End of this chapter)
