A line of clear tears slowly flowed from her eyes.
The revenge for her biological sister was finally avenged.
However, the person who took revenge wasn't herself. But Shinobu Kochou knew very well that she absolutely couldn't have beheaded Douma on her own.
"Shinobu…"
Mitsuri Kanroji gently pressed down on Shinobu Kochou's shoulder, comforting her.
Shinobu Kochou realized her loss of composure and hurriedly wiped away her tears with her sleeve, as if wanting to change the subject, saying:
"Shimizu, you're covered in blood, you must be seriously injured!"
"Actually, the injuries…"
"And Mitsuri, you were also injured just now. I'll take you to find a place to bandage you up!"
Shinobu Kochou, without allowing any argument, grabbed Shimizu with one hand and Mitsuri Kanroji with the other, and walked into the nearby house.
At the same time, a messenger crow circled once in the sky, then flew towards the entrance of the village.
More than ten minutes later, when a group of swordsmiths received the news and returned to the Swordsmith Village, they discovered that the battle had indeed ended and began to clean up.
…
…
Naruto World, Sunagakure Village, Puppet Corps, Sixth Division Headquarters.
Once, on the podium of the classroom in the Puppet Corps used to teach new recruits the Black Secret Technique, Shimizu was talking eloquently to more than twenty puppeteers.
Nearly half of these puppeteers were newcomers who had been newly added this year, and among the remaining members, there were also many veteran members of the Puppet Corps, the backbone.
In addition to Shimizu, there were also Ishito and Miye, two puppeteers at the Jonin level.
This was to cultivate a team of talents for the construction of reservoirs and sluices for the subsequent canal construction. Many of the technologies required in Shimizu's plan were realized through puppetry, so it was natural to teach some of the ideas and knowledge to these puppeteers in advance and conduct research and experimentation.
The reason why there were Ishito and Miye was because this team needed a Jonin other than Shimizu to be in charge and assist. However, among the Jonin, Shimizu's qualifications were still shallow, so the Fourth Squad of the Sixth Division, to which Shimizu previously belonged, joined as the main foundation.
Ishito was a veteran elite Jonin, and his status and prestige were relatively high among the Jonin, and his ability and skill were sufficient to help Shimizu manage the team.
Miye had also just become a Jonin not long ago. In principle, becoming a Jonin was already qualified to serve as a vice-captain in a division of the Puppet Corps, but there had not yet been a transfer.
Because there were other Jonin in line, it was difficult to get to him, a newly promoted young Jonin like him.
Shimizu walked off the podium, looked at the puppeteers sorting out their notes, and walked off the podium drinking tea from his thermos cup.
"Shimizu."
Sasori suddenly spoke, calling Shimizu over and handing Shimizu a form.
"I have tested all the materials you mentioned earlier that were needed for those ideas."
Shimizu's eyes lit up, took the form, and looked at it carefully.
Last year, he was thinking about how to realize modern industry in the form of puppetry.
Shimizu was working hard to localize many knowledge points and told some puppeteers who were close to him, hoping that they could help him.
However, it is not an easy task to complete the localization of another world's system in this world.
Creating a complete system requires countless geniuses and countless years of struggle, and although what Shimizu is doing is not so difficult, it is by no means something that ordinary people can do.
Chiyo and Ebizo, as the top puppeteers in the ninja world, certainly have this ability, but as high-level officials in Sunagakure Village, they still have things to do after the end of the war, so they certainly can't spare much time.
But Sasori is different.
He is a true puppetry genius, a genius among geniuses, and he is not very old. He absorbs and digests new knowledge quickly. Because his family is wealthy, he does not lack money like other ninjas and needs to perform a large number of tasks to maintain cultivation and other expenses.
Therefore, hiding in his nest to study puppetry has become Sasori's most common thing to do.
When Sasori came into contact with countless new knowledge from another world through Shimizu, Sasori went crazy for a while and devoted almost all of his energy to it.
So Shimizu told Sasori his theoretical knowledge that had been localized in the ninja world, hoping that he could help him.
After all, Sasori's talent in puppetry is the highest among all the puppeteers Shimizu knows.
Coincidentally, Sasori thought so too and believed that Shimizu's puppetry talent was higher than his own.
So far, the puppetry that Sasori has learned is based on the foundations of his predecessors. Even if there are occasional innovations, it still has not deviated from this system.
But what about Shimizu?
Past experiences have already made Sasori believe that Shimizu's talent in puppetry is not much worse than his own, but because he was born two years later, he has been defeated by Shimizu in many competitions.
But now, Sasori believes that Shimizu is building a completely new system from scratch with his own strength.
If successful, Shimizu's future status among puppeteers will be no less than that of the ancestor Monzaemon, or even surpass him!
"I have tested all 4,671 materials registered in the village that are suitable for making puppets many times and finally screened out three kinds of high-transparency crystals, four kinds of chakra photosensitive materials, twenty-one kinds of chakra thermosensitive materials, thirty-three kinds of humidity-sensitive materials, nineteen kinds of chakra-conducting materials, and thirty-six kinds of high-frequency oscillating metals…"
"These are all qualified materials that can meet your requirements. I also used the sealing technique to create diodes and chakra capacitors according to what you said, but my sealing technique level is still far behind, and these things are only one-time use."
