Qin Shou, who didn't go to play with Huang Bo and the others, naturally had his happiness.
Little Song Jia heard that Qin Shou was really planning to invest in the movie "Crossing the Guandong", and the price was that she could play the obviously heavier role of Xian'er, and she was very excited.
Immediately said, I am your person tonight.
Of course, Qin Shou didn't have any objection to this, but he thought of a joke instead.
It's about a man flirting with a girl.
When he took out one thousand yuan, the girl sneered and said: What do you think of me?
When he took out 10,000 yuan, the girl's expression changed slightly: I'm not the kind of person you think!
When he took out 100,000 yuan, the girl smiled brightly: I am yours tonight!
When he took out one million, the girl immediately knelt down and said: Don't treat me like a human being tonight!
When he offered 10 million, the girl gritted her teeth: No matter how many people come tonight!
And when he took out 100 million, the girl had already laid down and said: It doesn't matter if the person who comes tonight is a person or not!
to be honest.
When Qin Shou saw this joke in his previous life, he really died laughing.
At the beginning, he thought it was quite funny, but after a long time, he found that sometimes this joke comes from life.
It's as if someone asked on the Internet, if you were given 10 million and let you run naked wearing a mask, would you agree?
Qin Shou's answer at the time was: Can you take off the mask, otherwise I won't feel bad for the money.
To live, to make money, not to be ashamed.
How powerful the wealth is, he can feel it more and more now.
Like now.
Although little Song Jia didn't want to make herself rich, but if she was a pauper with nothing and didn't help her career at all, would she be so flattering to herself?
Not only Xiao Song Jia, but others as well.
Handsome but can't be eaten.
Qin Shou knows this better than anyone else.
certainly.
Not that it's bad.
People are selfish24, this is normal.
It was as if Qin Shou couldn't have liked them if they weren't young, beautiful, mature and charming women.
If you are like Jia Ling, you can't kill Qin Shou even if you kill him!
The taste is too strong, I can't bear it!
This night, Qin Shou really enjoyed the imperial service.
When a woman is happy, there are many ways to express her feelings, which is actually the same for everyone.
This shows that no matter what you do, you can't overdo it, you have to be patient, as long as you treat your lover well, you will be rewarded.
Turn around.
Qin Shou received a call from Kong Sheng.
He wants to go to Guangming Entertainment with Zhang Xinjian, another director of the play, the novelist and screenwriter Mr. Gao Mantang, and the producer.
The purpose is naturally very simple, they want to see Li Youbin's performance in the play "Bright Sword".
After all, the play "Crossing the Guandong" is too important, and the role of the leading actor is even more important.
Although Qin Shou is rich, and the conditions are also very good.
And if Li Youbin's acting skills don't meet their requirements for "Crossing the Guandong" hero Zhu Kaishan, it will be troublesome.
This kind of period drama has very high requirements for the acting skills of the leading actor.
So their goal, before, was to focus on domestic first-line male actors, especially in TV dramas, not only their acting skills must be consistent, but their temperament must also be consistent.
Li Youbin's words are just one of the options, not the first choice.
Who made this person always play the image of an upright soldier or scientist.
Is it okay to let him play a farmer?
On Qin Shou's side, when he received the news, he almost didn't laugh.
What he was least worried about was that Kong Sheng and the others wanted to see Teacher Li Youbin's acting skills first.
Think about it.
Qin Shou simply called Li Youbin.
After filming "Bright Sword", this guy joined Bright Entertainment.
But he is not that kind of prolific actor, every time he finishes filming a work, he has to rest for a while.
In Li Youbin's own words, he belongs to the performance style of the experiential school. An actor with this kind of performance style is easy to get into the play when filming, so it takes time to make the play
As a director, Qin Shou naturally understood what Li Youbin meant.
Performance is divided into experience school, method school and expression school.
The requirement of experiencing party performances is: start from the self and live in the situation of the characters.
In the domestic show business circle, according to what Qin Shou knows, the experiential school is the most misunderstood performance school. The popular understanding of the experiential school in the market is basically wrong.
There are very complicated historical reasons for this, and the most common and worst misconception is the failure to recognize that acting should always start from the self.
to be honest.
Only the "self" can complete the real experience, that is, "real hearing, real seeing, real feeling".
If you are already imitating an imaginary image, or putting yourself in a performance state that is different from your normal life, it is impossible to complete the authentic experience.
Therefore, "starting from the self" is the basis of the whole process of shaping the role of the experiential school, not one of the stages. That is to say, the experiential school requires the performer to "always start from the self" throughout the performance.
Qin Shou didn't quite understand this before, thinking that if an actor always started from himself, wouldn't it be impossible to become a character?
As a result, when he occasionally exchanged feelings with a female teacher of the acting department in his previous life, he got a more detailed explanation from the other party.
There is actually no contradiction between the two.
Because you have to live in the character's situation.
For example, if a young man plays an old man, the experiential method is not to imitate the old man, but to let himself believe that the situation of the old man happened to him, "For example, because he believes that his joints are bad, his glasses can't see clearly, Can't hear clearly.
In this case, I am still myself, but the situation has changed.
Therefore, "becoming a character starting from the self" mentioned by the experiential school does not mean "starting from the self first, and then becoming a role", but means "becoming a character starting from the self." Starting from the self" is the basis of "becoming a role". The two cannot be understood as two separate processes.
At the beginning, Qin Shou felt that this was a real performance, with no technical content at all.
Later, when he was filming a movie, he happened to meet Chen Daoming.
Occasionally, when I heard Chen Daoming teaching young actors, I realized the difference.
According to Chen Daoming, starting from the self is the most difficult.
First of all, it requires revealing the character of the self that may not want to be known.
For example, when an experienced male actor plays a homosexual role, he can't pretend to be someone else to imitate, but can only show even a little affection for men in his heart to the role, and really use his homosexual side to show others .
Secondly, it requires belief in the situation, such as believing a fake gun as a real death threat, and requires a subconscious response in the situation, rather than a well-designed performance. This kind of belief is much more difficult than design.
In the end there is a lot of homework that has to be done to flesh out the character's situation, to make a fictional situation feel as fleshed out as life [the stuff that needs to be filled in is pretty amazing.
to be honest.
Qin Shou has always felt that those actors in the experiential school are very tired like this.
the reason is simple.
Because human character is multi-faceted, it is a large collection, but the characters described by the playwright cannot be as rich in personality as a living person, so it is a small collection.
A large collection can cover many different small collections, and an actor can perform his true colors all his life, but also perform many different roles.
Therefore, the process of the experiential school’s birth of roles from the self is subtraction: remove the part of the large set of self that does not fit the small set of roles, and try to make the two sets overlap, which is both the self and the role. Instead of adding, add something that is not your own.
For example, people in daily life may look different in front of their colleagues and family members, but they have not added a personality that is not their own or imitated anyone, they just hide their own personality in different situations
Although the method school is inherited from the experience school, there is one significant difference, that is, the method school allows actors to replace the communication objects, while the experience school does not.
For example, let a straight man play a gay role and let him fall in love with a man.
Methodism allows straight male actors to imagine the antagonist replacement as a woman.
The experience school does not allow it, and the experience school requires that you must find the part you love from this same sex.
However, in Qin Shou's opinion, expressionism may be more suitable for most actors. After all, expressionism does not emphasize starting from the self, but emphasizes first constructing a character's image in the heart, emphasizing imitation.
to be honest.
That is, expressionism does not advocate that actors subconsciously live in the situation, but emphasizes manipulation and design.
Of course.
Qin Shou has been in Hengdian for many years, and after being in contact with many actors, he feels that although the pursuits and methods of each school are distinct, it is impossible to be 100% pure in actual performances.
It is impossible for expressive actors to be completely indifferent to true feelings, and it is impossible for experiential actors to be completely devoid of design.
Therefore, an actor of a certain school means that the actor agrees with the aesthetic pursuit of a certain school and mainly uses the methods of a certain school, not that he does not use other methods at all.
Excellent actors are often more emotional than rational, and they need to comprehensively use the methods of various schools, so actors may not be able to explain their own performance schools clearly and accurately.
But for Li Youbin, he is definitely a serious and experienced actor.
When Qin Shou was shooting 807 "Bright Sword", he could definitely feel that Li Youbin had completely integrated himself into the world of Li Yunlong.
This is a good thing and a bad thing.
The good thing is that the character he shows is really like an old fritters living in the war years.
to be honest.
Anyone who has seen "Bright Sword" feels that this drama is too real.
This is why Qin Shou is so confident, as long as Kong Sheng and the others watch this play, they will definitely be able to identify Li Youbin as the leading actor in "Crossing the Guandong".
But now Li Youbin is still looking for status, which makes Qin Shou a little worried.
He doesn't want Teacher Li to be like some experiential actors who have been immersed in the role and can't get out.
That is definitely a very scary thing.
"Let's make arrangements to find a few guest plays for Mr. Li, um, let's say it's a play invested by the company and needs him to save the show.
After Qin Shou arrived at Bright Entertainment, he said to Xing Aina who came to greet him.
"good."
Xing Aina nodded directly: "Mr. Zhao and Mr. Wang came back in the afternoon, and everything has been done.
Zhao Yan and Wang Shan went to the Tracing Foundation. After the release of "Blind Mountain", the response was enthusiastic, and the sympathy of the public was aroused. They always hated the trafficking thing, and it is even more so now.
"Okay, then I will leave this matter to you and let Zhao Yan get in touch with the crew of "Crossing the Guandong"."
Qin Shou thought about it and said
Dao: How is the discussion on the broadcasting rights for the first round of "Bright Sword" going?"
"Shonan Satellite TV and Yanjing Satellite TV are both talking.
Xing Aina explained: "I still want to wait.
Clearly, she's up for grabs.
Qin Shou trusted herself so much, she would naturally not disappoint Qin Shou's expectations.
Smiling, Qin Shou nodded: "Okay, since you want to wait, then wait, but there is one thing, it must be broadcast before the summer vacation.
This question is critical.
After all, the summer season can be regarded as a peak season for ratings, so it must not be missed.
Xing Aina nodded, naturally she understood what Qin Shou meant.
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